Tarot Card The Tower in Contemporary Modern Design 20210128
by Wingsdomain Art and Photography
Title
Tarot Card The Tower in Contemporary Modern Design 20210128
Artist
Wingsdomain Art and Photography
Medium
Photograph - Photoart
Description
Tarot Card The Tower in Contemporary Modern Design 20210128
The Tower (XVI) (most common modern name) is the 16th trump or Major Arcana card in most Italian-suited Tarot decks. It is used in game playing since the 15th as well as in divination since the mid-19th century. This card follows immediately after The Devil in all Tarots that contain it, and is associated with sudden, disruptive revelation, and potentially destructive change. Some early painted decks, such as the Visconti-Sforza tarot, do not contain it, and some Tarot variants used for gameplay omit it. Early printed decks that preserve all their cards do feature The Tower. In these decks the card bears a number of different names and designs. In the Minchiate deck, the image usually shown is of two nude or scantily clad people fleeing the open door of what appears to be a burning building. In some Belgian tarots and the 17th century tarot of Jacques Viéville, the card is called La Foudre or La Fouldre, ("The Lightning") and depicts a tree being struck by lightning. In the Tarot of Paris (17th century), the image shown is of the Devil beating his drums, before what appears to be the mouth of Hell; the card still is called La Fouldre. The Tarot of Marseilles merges these two concepts, and depicts a burning tower being struck by lightning or fire from the sky, its top section dislodged and crumbling. Two men are depicted in freefall against a field of multicolored balls. Pamela Colman Smith's version is based on the Marseilles image, with small tongues of fire in the shape of Hebrew yod letters replacing the balls. In this manuscript picture of the Harrowing of Hell, Jesus forces open the fiery tower gate of Hell to free the virtuous dead from Limbo. The enactment of this scene in liturgical drama may be one source of the image of the Tower. A variety of explanations for the images on the card have been attempted. For example, it may be a reference to the biblical story of the Tower of Babel, where God destroys a tower built by mankind to reach Heaven. Alternatively, the Harrowing of Hell was a frequent subject in late medieval liturgical drama, and Hell could be depicted as a great gate knocked asunder by Jesus Christ. The Minchiate version of the deck may represent Adam and Eve's expulsion from the Garden of Eden. The Tower is sometimes interpreted as meaning danger, crisis, sudden change, destruction, higher learning, and liberation. In the Rider-Waite deck, the top of The Tower is a crown, which symbolizes materialistic thought being bought cheap. The Tower is associated with the planet Mars.
In occult practices, the Major Arcana are the trump cards of a tarot pack. There are usually 22 such cards in a standard 78-card pack. They are typically numbered from 0 to 21. Prior to the 17th century, the trumps were simply part of a special card deck used for gaming and gambling. There may have been allegorical and cultural significance attached to them, but beyond that, the trumps originally had little mystical or magical import. When decks are used for card games (Tarot card games), these cards serve as permanent trumps and are distinguished from the remaining cards, the suit cards, which are known by occultists as the Minor Arcana. The terms "Major" and "Minor Arcana" are used in the occult, and divinatory applications of the deck as in practising Esoteric Tarot and originate with Jean-Baptiste Pitois (1811-1877), writing under the name Paul Christian. Michael Dummett writes that the Major Arcana originally had simple allegorical or esoteric meaning, mostly originating in elite ideology in the Italian courts of the 15th century when it was invented. The occult significance began to emerge in the 18th century when Antoine Court de Gébelin, a Swiss clergyman and Freemason, published Le Monde Primitif. The construction of the occult and divinatory significance of the tarot, and the Major and Minor Arcana, continued on from there. For example, Court de Gébelin argued for the Egyptian, kabbalistic, and divine significance of the tarot trumps; Etteilla created a method of divination using tarot; Éliphas Lévi worked to break away from the Egyptian nature of the divinatory tarot, bringing it back to the tarot de Marseilles, creating a "tortuous" kabbalastic correspondence, and even suggested that the Major Arcana represent stages of life. The Marquis Stanislas de Guaita established the Major Arcana as an initiatory sequence to be used to establish a path of spiritual ascension and evolution. Finally Sallie Nichols, a Jungian psychologist, wrote up the tarot as having deep psychological and archetypal significance, even encoding the entire process of Jungian individuation into the tarot trumps. These various interpretations of the Major Arcana developed in stages, all of which continue to exert significant influence on practitioners' explanations of the Major Arcana to this day. -wikipedia
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January 28th, 2021
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