Remastered Art Judith and the Head of Holofernes Detail 1 by Gustav Klimt 20220112
by Gustav-Klimt
Title
Remastered Art Judith and the Head of Holofernes Detail 1 by Gustav Klimt 20220112
Artist
Gustav-Klimt
Medium
Painting - Remastered Art
Description
Remastered Art Judith and the Head of Holofernes Detail 1 by Gustav Klimt 20220112
Judith and the Head of Holofernes (also known as Judith I, German: Judith und Holofernes) is an oil painting by Gustav Klimt, painted in 1901. It depicts the biblical figure Judith holding the head of Holofernes after beheading him. The beheading and its aftermath have been commonly portrayed in art since the Renaissance, and Klimt himself would paint a second work depicting the subject in 1909.
Judith's face exudes a mixed charge of voluptuousness and perversion. Its traits are transfigured so as to obtain the greatest degree of intensity and seduction, which Klimt achieves by placing the woman on an unattainable plane. Notwithstanding the alteration of features, one can recognise Klimt's friend (and, possibly, lover), Viennese socialite, Adele Bloch-Bauer, the subject of another two portraits respectively done in 1907 and 1912, and also painted in the Pallas Athena. The slightly lifted head has a sense of pride, whereas her visage is languid and sensual, with parted lips in between defiance and seduction. Franz A. J. Szabo describes it best as a "[symbol of] triumph of the erotic feminine principle over the aggressive masculine one". Her half-closed gaze, which also ties into an expression of pleasure, directly confronts the viewer of all this. In 1903, author and critic Felix Salten describes Judith's expression as one "with a sultry fire in her dark glances, cruelty in the lines of her mouth, and nostrils trembling with passion. Mysterious forces seem to be slumbering within this enticing female". Although Judith had typically been interpreted as the pious widow simply fulfilling a higher duty, in Judith I she is a paradigm of the femme fatale Klimt repeatedly portrayed in his work. The contrast between the black hair and the golden luminosity of the background enhance elegance and exaltation. The fashionable hairdo is emphasized by the stylised motifs of the trees fanning on the sides. Her disheveled dark green, semi-sheer garment, giving the viewer a view of her nearly bare torso, alludes to the fact that Judith beguiled the general Holofernes before decapitating him. In the 1901 version, Judith maintains a magnetic fascination and sensuality, subsequently abandoned by Klimt in his Judith II, where she acquires sharper traits and a fierce expression. In its formal qualities, the first version illustrates a heroine with the archetypal features of the bewitching and charming ladies described by symbolist artists and writers such as Wilde, Vasnetsov, Moreau, and others. She revels in her power and sexuality - so much so that critics mislabeled Klimt's Judith as Salome, the title character from Oscar Wilde's 1891 tragedy. To stress and re-emphasize that the woman was actually Judith and not Salome he had his brother, Georg, make the metal frame for him with "Judith and Holofernes" engraved on it. -wikipedia
Remastered Art and Photography are professionally restored and enhanced public domain art and photography to bring out the brilliance of the original art the way they were intended on the first day they were presented to the public. This type of art and photography would look terrific on a large canvas or framed print, and a print on any other media would look just as stunning!
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January 12th, 2022
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